Key Intimate Scenes (KIS) is an Australian-based Intimacy Coordination Company which exists to support narrative content creators with specialist-trained Intimacy Coordinators for stage and screen. Our professionals are specialists in choreography, consent, and facilitation of industry best practice, for scenes which include simulated sexual activity, intimate touching, nudity, semi nudity and other potentially vulnerable circumstances.
These vulnerable circumstances now include the return of screen & stage productions during the COVID Recovery Period. Our professionals have completed the Australian Government Infection Control Training Course for COVID, are across the COVID-Safe Guidelines for the Australian Screen & Stage Production Industries and the Australian Legal Challenges for productions during COVID Recovery.
KIS acknowledges the first nations peoples of the various geographies on which we live and work, the ancestors past, present and future, and the institutionalised and social injustices which first nations, as well as other marginalised groups, experience to this day. KIS is an LGBTQI+ ally, and respects any nominated genders and pronouns with which a person identifies.
What Makes Us Different
Our training is rigorous, comprehensive, and cutting edge, both specific to Australia and supported by international training and best practice.
Our professionals have intimacy coordinated everything from experimental queer-perspective stage works to some of the world’s highest profile screen projects, having worked directly as intimacy professionals with such luminaries as Nicole Kidman, Simon Baker, Yael Stone, Tiffany Boone, Manny Jacinto, Samara Weaving & Melvin Gregg.
Mental Health Approach
KIS professionals bring to their intimacy work niche training in mental health approaches and strategies which research has shown to reduce secondary traumatisation and minimise triggering past traumatisation.
We offer support for actor boundaries between self and character, scene-partners, and ensemble, and underpin our practice with crisis counselling strategies, and up-to-date resources specialising in performers’ mental health.
We are additionally able to consult on areas of story and portrayal in which we specialise, including psychology, criminology, sexual dramaturgy, violence against women, and first nations and refugee perspectives.
At KIS, we believe that race, ethnicity, culture, language, religion, gender, orientation, disability, socio-economics, privilege and access are integral to conversations around power dynamics and consent.
Our professionals are not only trained by a range of international specialists in the specific concerns of individuals of non-dominant identities, but we are ourselves leaders of empowerment and inclusion in our own intersectional communities.
Our work is grounded in the advantage of variety and difference, a commitment and accountability to our families, communities and global villages to empower each other’s voices in the face of hierarchical environments and colonised cultures.
Legal & Insurance Literacy
The professionals at KIS are the first in the world to be covered under the specific titles of ‘Intimacy Coordinator’ and ‘Intimacy Director’ by worker’s compensation, public liability and professional indemnity insurances.
We are trained in the Australian laws, union and government funding standards relevant to our work, as well as wording for nudity and simulated sex waivers.
We have criminal checks, working with children checks and strong relationships with Entertainment Lawyers, Insurance Brokers, Industry bodies and the NSW Office of the Children’s Guardian.
Research & Documentation Ready
Our risk assessment and control documentation is one-of-a-kind. It allows for the malleability of ongoing assessment as information comes in from numerous sources and stakeholders, as well covering guidelines, protocols, relevant decisions, and on set reports.
Our training remains continuous, and we not only seek out the latest research on topics relevant to our intimacy work, but actively contribute to it as well.
KIS exists to collaborate in creating and supporting safe, nuanced and inventive intimate scenes, which enhance story and artistic vision. KIS prides itself on integrity and cultural competence, and believes that the stories we tell are a reflection of, and have the power to shape, the values and beliefs of the culture within which they are told.
KIS believes we all have a part to play in making the world a better place. KIS donates 10% of its yearly profits to The Aboriginal Legal Service in Australia, and the National Indigenous Women’s Resource Centre in the US, which works to end the number of Murdered and Missing Indigenous Women (MMIW). When you engage our services, you are contributing on many levels toward social justice worldwide.
KIS is part of the umbrella company, Underscene Enterprises Pty Ltd which also includes a production company and provides actor services. Underscene provides a platform for the stories of under-represented voices, and works behind-the-scenes to create hope and inspiration for a more nuanced global discourse and action.
Who We Are
Key Intimate Scenes founder & director, Michela Carattini, identifies as female, CALD, mixed (Latina/Indigenous Central American/European Australian), dual national (AUS/USA) and multi-local (Sydney, New York, Heidelberg). She is fluent or conversational in six languages, and the primary carer of two young children.
Michela is a Sydney-based Intimacy Coordinator who has specialised Intimacy Coordination training from Intimacy Directors & Coordinators (IDC), Intimacy Director’s International (IDI), Theatrical Intimacy Education (TIE), Intimacy Professionals Association (IPA) and Intimacy On Set (IOS). She is the first person in the world to be insured with public liability and professional indemnity under the title of Intimacy Coordinator and Intimacy Director. She developed Australia’s first training curriculum for Intimacy Coordinators, co-created and co-instructed the first Intimacy Coordination Workshop for Directors at AFTRS, consulted on the MEAA (Australian Equity) panel for the creation of Australia’s National Intimate Scene Guidelines, and is a founding member of the Australasian Intimacy Coordination Network.
Michela is additionally a qualified and experienced mental health professional, holding a Bachelor of Arts majoring in Psychology from Columbia University in New York (2005), and a Masters of Criminology from Sydney University Law School (2008). Michela has over seven years’ experience as a caseworker and crisis counsellor, specializing in the area of “Violence Against Women” (which is a misnomer, as it also includes men, spectrum genders, and children with significant intersectionality). In this capacity, Michela has worked with the UN, International Anti-Trafficking NGOs, The Australian and US Red Crosses, Redfern and MacArthur Legal Centres, as well as Women & Girls’ and Rape-Crisis Centres. Michela has comprehensive knowledge and experience of the psychological, legal, linguistic, cultural and practical aspects of consent, duty of care and referrals, and is uniquely qualified in the intimate, professional, gendered and CALD/multicultural spaces.
Michela is furthermore an internationally award-winning stage and screen actor, dancer and singer, having graduated from The American Musical & Dramatic Academy in New York (2000), and worked professionally in the Entertainment Industry for over two decades. Michela made her professional debut as a soloist in The Houston Grand Opera’s internationally televised production of Street Scene (1994), and in 2018 was an official candidate for Best Supporting Actress at the AACTAs (Australian Academy Awards) for the feature film Birthday Adjustment Disorder. She has provided professional on-set and on-stage support as a choreographer, director, assistant director, producer, production assistant and pre-production support as a casting director, script editor and writer. She has most recently received acclaim as an emerging filmmaker and content creator.
Michela served for a year on the core committee of Women in Theatre in Screen (WITS) Australia, and is a current financial member of MEAA (Australian Equity), WIFT (Women in Film & Television) Australia, WISE (Women in Screen & Entertainment), SPA (Screen Producers Australia), AWG (Australian Writer’s Guild), ASPAH (Australian Society for Performing Arts Healthcare) and the APS (Australian Psychological Society).
Koori actor, producer, singer, songwriter and dancer Akala Newman is a KIS Training Scholarship Recipient. Her heritage stems from the Wiradjuri and Eora Nations and all the way to Cork, Ireland. Dancing and singing since she could walk, Akala graduated from the Newtown Performing Arts High School and was granted the opportunity to be a part of the NSW Aboriginal and Torres Strait Islander Dance Company run by Bangarra, where she returned to a deep sense of connection and spirituality. In 2020, Akala joined Gawura Cultural Immersions, where she placed as runner up in the inaugural Dance Rites. She feels the significance performance has on her life as a First Nations woman, and believes our voices matter, our dances matter and our stories must be told in order to evoke change in society and in ourselves. She also attended the Actors Pulse in Redfern specialising in Meisner technique and her favourite performances include It’s not Creepy if They’re Hot (Sydney Fringe) and REVOLT. SHE SAID. REVOLT AGAIN and SAMO IS DEAD (Seymour Centre). Akala wrote and released three singles “Heart For Free”, “Shine on Me” and produced and directed “Burnt for You,” her first music video, with an entire First Nations Cast that represents the black body as strong and self-determined. She continues her studies at Sydney University in Theatre and Performance where she is currently completing her honours thesis exploring how performance permeates a sense of identity and autonomy for First Nations People. As a multi-disciplinary artist, she finds the most joy when producing work that empowers, to ensure cultural continuity and revolution, to uplift the voices of First People, something she is most excited about as assistant producer with leading First Nations Theatre Company Moogahlin Performing arts and through her journey as an Intimacy Professional under the wing of Michela Carattini.
Syrian actor, director, content creator and Theatre of the Oppressed instructor Adeeb Razzouk is a KIS Training Scholarship Recipient. He graduated with his Bachelor in Acting from the Higher Institute of Dramatic Arts, Damascus, Syria, and went on to star in theatre, screen and voiceover roles in Syria and Lebanon, including Breathing, River of Madness, Beirut Wow, National Geographic and FIFA 2019. In Lebanon, he also became a facilitator and instructor of interactive theatre, specialising in refugees and trauma healing. His Australian theatre credits include a lead role in the Sydney Foreign Actors Association’s Hamlet, a lead role in the Iranian-led Fingerless Theatre’s production of Just a Short Break in Hafgufa, the leading role in Theater Exentrique’s Tideline, with supporting roles in Streamed Shakespeare’s Merchant of Venice, and Chippen St Theatre’s Good Grief. He produced the experimental theatre and film experience Light Room Show and Voice Memo, a sound collage of refugee experiences for online broadcast drama. As an arts facilitator for the Community Migrant Resource Centre, he produced the event Art Ground, a community arts event for CALD-identifying artists and performers. Fluent in English and several Arabic dialects, Adeeb is thrilled to bring Intimacy Professionalism to the English and Arabic-speaking industry.
KIS Associate IC in Melbourne, Steph Power, is a leading acting and on-set welfare specialist with 27 years industry experience. Her work as an Intimacy Coordinator supports the performance of intimate, nude, sexual and diverse content along with psychological, traumatic and culturally sensitive material. She is a Graduate of the renowned WAAPA Acting School, has a Bachelor of Performance Directing from WAAPA, a Post-Graduate degree in Psychotherapy, and a Masters in Counselling. Steph uses her integrated knowledge as an Intimacy Coordinator (WAAPA, PRAWN, ITCH 2, PETROL, 5 BEDROOMS), an Acting & Wellbeing Coach (WAAPA, NTDS, JMC), and an Industry Counsellor (stephpower.com). She is a Member of the Equity Wellness Committee and founded the first Intimacy Coordinators Australia online forum. Steph’s welfare recommendations were called upon by Screen Australia to inform the official Australian Screen Production Covid-Safe Guidelines. She has run various industry workshops for The Melbourne Theatre Company (Tour Wellbeing), JMC Film Academy (On-Set Welfare), WAAPA Acting (#Metoo & Intimate Performance), The National Theatre Drama School (Actor Wellbeing, Intimacy), WIFT Australia (Set Welfare), and Actors Equity (Acting on Covid Sets). Steph deeply understands diverse content having worked in Script for Polygram Films London, and through her own creative venture Enigma Films which acts as an advisory service for intimate and psychological content.
Our services include consulting, script assessment, liaising between actors and production, scene sculpting, scene choreography or blocking, sexual dramaturgy, nudity and simulated sex waiver wording and language, rehearsal and on-set support, advice on modesty garments, barriers, and industry best practice, strategies and support for emotional safety and minimizing psychological harm, post-production de-briefs and referrals, risk control documentation, advocacy, education, workshops and seminars.
- IF Magazine feature on KIS
- ABC Radio interview with Michela Carattini
- Cuppa of Life interview with Michela Carattini
- AGG interview on Intimacy Coordination: An Actor Inquires
The KIS Training curriculum is the first Australia-specific (and Australia-based) training curriculum for the role of intimacy coordinator. It incorporates international standards with those elements necessarily specific to Australia, including Australian criminal, civil and entertainment law, union standards, state-specific requirements, domestic industry knowledge, and the unique cultural and geographical make-up of Australia.
The KIS curriculum is furthermore unique in its training on culturally competent, trauma-informed mental health approaches, and features a bespoke collection of research on intimacy in story-telling from various cultural perspectives, including First Nations Australian, African, Arabic, Latin-American, Indian and Chinese. Throughout, the curriculum consciously dislodges the European and Western viewpoints as the only (or the normal) historical (or current) way of using intimacy in storytelling.
The curriculum consists of 15 areas of study and examination plus at least 50 hours of practical experience in intimacy coordination for both stage and screen. Expected duration of study is 1-2 years, part time.
Current contributors and instructors of the KIS Curriculum include:
- Tonia Sinia, Intimacy Director and founder of Intimacy Directors International, USA
- Paul Newman, Managing Director of Black Pages, Australian First Nations Consultancy
- Jenevieve Chang, Actor, Writer and Development Executive at Screen Australia
- Kaja Amado Dunn, Actor, Director, Activist, Affiliate Faculty of Theatrical Intimacy Education, USA and Assistant Professor of Theatre, University of North Carolina-Charlotte, USA
- Eugene Niblack, Manager of Community Mental Health, Canterbury, NSW, Australia
- Anita Joinking, Children’s Guardian NSW, Australia
- Rachel Flescher, Intimacy Coordinator at Intimacy Directors and Coordinators, USA
- Dr. Lori Leigh, Intimacy Director at Intimacy Ponecke, NZ, Rainbow Consultant & Professor of Theatre, University of Victoria at Wellington, NZ
- Michela Carattini, Intimacy Coordinator at Key Intimate Scenes, Actor/Filmmaker & Crisis Counsellor/Caseworker specialising in VAW.
- Akala Newman, Actor, Dancer, Singer & Assistant Producer, Mooghalin Performing Arts
- Adeeb Razzouk, Actor, Content Creator & Facilitator of Theatre of the Oppressed, Community Migrant Resource Centre
- Dr. Carolyn Carattini, Doctor of Creative Industries, Author of Psychological Skills for Dancers, Queensland University of Technology (QUT), Australia; Stanford University, USA & University of Durham, England.
- Australian National Guidelines
- IDI's Five Pillars of Rehearsal and Performance Practice (pdf)
- Performer well-being resources
- Arts diversity resources
- Key Intimate Scenes Instagram Tips for Actors, Directors & Producers